I recently traded email with a prospect who is relocating to Phoenix from Nebraska, discussing Mid-century modern style in Phoenix as compared to the midwest.

Prospect:

… the home (that I sent photos of) had a different exterior…reminded me of plain block and I didn’t care for the look. The exterior of our home is more towards the traditional ranch, but it does have Roman brick on a portion of it.

To which I replied:

…The “plain block” that you don’t like is a staple on Phoenix Mid-Century modern homes. It’s called “slump block,” and is a favorite of architects from that period. You might consider this as part of getting used to the desert aesthetics.”

Alison King has a great discussion (and wonderful photos) about Mid-century modern homes in Phoenix in her article titled “Jazz Standard“ over at her ModernPhoenix website.

Midcentury era tract homes in Scottsdale and Phoenix are so ubiquitous that they often pass under the daily radar, and for good reason; classic ranch homes paved the suburbs of the Phoenix Metro area, emulating the romance of ranch style living in this citrus-field-gone-cosmopolitan city. During the same development boom that brought us western-themed ranches and whimsical character ranch styles such as Swiss Chalet and Dutch Colonial, there emerged a desert-adapted style of Contemporary Ranch architecture that passed on nostalgic forms in favor of neat lines and shade-soaked spaces.

Few postwar architects in Arizona can match the volume of production, variety and notoriety than that of Ralph Haver. Californian by birth but Phoenician by choice, Haver offered his accessible contemporary style to thousands by collaborating with local developers on sizable tracts of land. In the postwar era, tinkering with this new style of home became the American family’s leisure time hobby—their imaginations were fueled by a new genre of home-improvement publications such as Popular Mechanics and Sunset magazine. Today, Haver Homes are sought as creative projects for professional architects and do-it-yourselfers alike. Their clean lines, inherent potential for expansion and solid construction have allowed them to endure the decades through every possible design trend, from skimming with stucco to Santa Fe styling. Now Haver Homes are more likely to be stripped down to bare block or clad in corrugated steel to offer additional protection from the sun.

There was little intended as precious in Haver tract homes. Expression of economy and a few signature elements define the Haver Home styles. Preservationists generally agree that these homes retain their character better as one-story structures and that certain hallmark qualities, such as the clinker bricks and clerestory windows seen in several Haver neighborhoods are best left unmolested. But simply put, the tract homes were designed to be modified, including smooth concrete patios that were often destined to become Arizona Rooms, and the carports that could easily transform into a third bedroom to support a growing nuclear family. This inherently mutable trait poses a challenge among today’s designers who appreciate the original forms but invoke an oath to guide their work: Do nothing that cannot be undone.

In this regard, Haver Homes have become one of the Jazz Standards of architecture—a set of simple themes that an artist can improvise around while maintaining general integrity, and in the best cases emotionally thrill those it takes deep inside.

Be sure to follow the link to take a look at the rest of her article and at her pictures of the Lorna House.

I didn’t want to steal any of Alison’s gorgeous photos, but neither did I want to leave you unfulfilled of any visual treat, so here’s Shelby Lynne covering Burt Bacharach’s Anyone Who Had a Heart. She’s neither Dusty nor Dionne, but the setting of this video is cool and clean, and both 60s icons would have been right at home.

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